Thursday, July 16, 2015

Chogyam Trungpa Rinpoche Visits Allen Ginsberg’s Poetry Class at Naropa


Recently the Ginsberg Project posted a transcript of one of  Allen’s early classes at Naropa Institute (now University) when Chogyam Trungpa Rinpoche visited his class. In this particular class, Trungpa introduces a three part logic to working with language. The Ginsberg Project is a treasure trove of Teachings direct from the horses mouth, as they say!
The notion of what’s called threefold logic - which applies to a general state of mind, how we experience our phenomenal world (and obviously poetry comes from an expression of one’s phenomenal world - in the written form - it could either be prose or poetry form). It’s not so much, from (the) Buddhist point of view, (is that) (if) you write good poetry, particularly, but how your thought-patterns become elegant, that you see (the) phenomenal world as a process, stages, as a review, from a state of mind - That, first, we have what’s known as the ground (which we perceive is the general sense or idea of how things work – like a bright, and heavy, sense of brightness, and then you begin to have some idea that it is sunshine, and then, because there is a sense of brightness, then you experience the sense of sunshine, and having experienced the second stage that way, then we have a conclusion, which is "(it) dispels (the) darkness”. So those (three stages) are what is known as the threefold logic, which actually does apply very much to thehaiku approach – that there is an idea, and then there is a complimentary remark with (the) idea, and then a final ending, (sometimes which is punctuated by humor, or sometimes punctuated by opinion, or (it) could be just an open ending). So that seems to be an interesting kind of training and it seems that's how one thinks when you look at the real world and then just write that down. And then by doing so, a person's approach begins to become very methodical and nothing is jumpy, and everything is somewhat organized in your mind, and therefore it creates a sort of chain-reaction, probably, to the reader of (the) poetry as well, those who read your work, their thought-patterns begin to have some sort of systematic situation rather than just things jumbled together. And , in turn, the theory is that having such (an) approach, you develop a…you’re helping the world to destroy chaos and you create order in the universe.
There is also an historic 1976 reading of Chogyam Trungpa's own poems and discussion of Tibetan Poetry on archive.org site where many of the Naropa class recordings are archived. Visit here:

Chogyam Trungpa—historic 1976 reading in Tibetan and English at Naropa Institute, Boulder, Colorado 

    The Ginsberg Project under the direction of Peter Hale has initiated the publication of many of Ginsberg’s teaching transcripts from his years at Naropa and Brooklyn College.  There are  commentaries on the works of numerous poets including, Blake, Whitman, Haiku and other forms.                                       



Wednesday, July 08, 2015

Recap of our July 3 Meeting on Walking Meditation and Poems



Eight of us met on July 3 in Shelburne Falls for a relaxing yet stimulating day of literary and dharma gab mostly focused on walking meditation and the tradition of walking poems. [See previous post for details].

Here are a few more pictures of the day followed by Paula Swenson’s fine poem generated after her walking meditation on the Labrynth. Next month on August 1, we will meet at the Dickinson Homestead to visit both Emily’s house and the Evergreens next door in Amherst with old friend and colleague, Chard deNiord for some robust discussion followed by lunch. Chard is a marvelous scholar of Dickinson’s life and work. Our September 5 meeting (first Saturday of every month)  will return to our Guilford, VT location. A second cohort will begin to meet in Shelburne Falls the third Saturday of every month beginning on August 15.




The Labyrinth at St. Joseph’s Church



The names of the living and the dead

Etched on stones under the watchful eye of the steeple:

The mother of a colleague

The families of students, long forgotten

Clam Shell Alliance friends from Seabrook, where they built

the reactor anyway

The name of an almost forgotten friend,

 a Vietnam Veteran,

                                     who laid down on the railroad tracks
to protest
the movement of weapons in California
And lost his legs
Ferlingetti mentioned him in a poem
“Veterans with PTSD” etched on a nearby stone
and “Om Mani Padme Hum”
Om mani padme hum

Paula Swenson 
7/3/15

Later in the day, a few of us visited Khandroling in Buckland, MA to experience a demonstration of sacred dance in the tradition of Tibetan Dzogchen master, Choegyal Namkhai Norbu at the newly built “Vajra Mandala Hall” which houses a universal mandala.


[Photo by Sean Quinn, July 3, 2015]





Sunday, June 28, 2015

July 3, 2015 Meditation and Poetry Writing Group Resources




FRIDAY, JULY 3, 2015* Meditation in Motion 
with a focus on Walking
Facilitated by Jacqueline Gens
*Normally we meet on the first Saturday of every month


MEETING LOCATION: Shelburne Falls (Contact Jacqueline). PLEASE NOTE that for July and August we will meet in Western Mass, then return to Gullford, VT first Saturday of every month.  TBA


TIME: 11:00 AM-2:00 PM

Jacqueline’s cell: 413-522-1125 & Email: jacqueline.gens@gmail.com

Next door is a traditonal Labyrinth where we will engage in walking meditation after discussion/sharing followed by lunch. Another great walking space is the Bridge of Flowers if the presence of people won’t bother you.

OPTIONAL: 2:00 PM  Field trip to Buckland retreat land (Khandroling) for a demonstration of sacred dance


I. RESOURSES TO CONSIDER

 A Guide to Walking Meditation by Thich Nat Hanh

 History of Labyrinth in the Christian Contemplative Tradition


 NAVAJO Walk in Beauty excerpt  the Navajo Night way ceremony

In beauty, may I walk.
All day long, may I walk.
Through the returning seasons, may I walk.
Beautifully I will possess again.
Beautifully birds…
Beautifully joyful birds…
On the trail marked with pollen, may I walk.
With grasshoppers about my feet, may I walk.
With dew about my feet, may I walk.
With beauty, may I walk.
With beauty before me, may I walk.
With beauty behind me, may I walk.
With beauty above me, may I walk.
With beauty all around me, may I walk.
In old age, wandering on a trail of beauty,
lively, may I walk.
In old age, wandering on a trail of beauty,
living again, may I walk.
It is finished in beauty.
It is finished in beauty.
- Excerpt from the Navajo Night Way Ceremony

Experience Walking
Explore this poem for yourself…embark on a mindful walking meditation, full of awareness of your interconnection with all around you. With each step, remain aware of your breath…how your weight shifts as you walk…from heel to toe and from one foot to the other, your shifting weight moving you forward.
Listen to the sounds around you, whether from nature or human-made…for you are part of each. Let your senses heighten, catch the smell of the wind around you, feel the warmth or coolness on your face, allow your senses to relax so you can naturally take in the vividness of life and color about you.
You are connected to the bird winging by, the tree standing firmly rooted, the vast sky above and the rich, solid earth beneath your feet. Allow yourself to take each step feeling the shifting weight of your body upon the earth…in heightened appreciation of all that is around you…in the harmony of our co-existence.
We are each reflections of ourselves, each other and all that surrounds us…and with each step we can walk in harmonious and loving balance with all we see, both without and within.

II. Some Walking Poems to Consider:

Pablo Neruda – Walking Around

Leslie Scalapino –Walking Person who has Sky Flowing

Interview with Mary Oliver

Allen Ginsberg – Kaddish

Frank O’Hara –The Day Lady Died

III. Writing Exercises

Exercise 1: Try cataloging both inner and outer images as they emerge. Don’t force a narrative but simply let the flow of images trigger memories, thoughts, sounds, vivid perceptions and see what happens. Analyze some of the walking poem samples for structure especially opening lines of Ginsberg’s famous eulogy for his mother - Kaddish which alternates inner memories with the outer details of his walk through his mother’s life with Ginsberg’s present.

Exercise 2:  Regard your walking ‘poem’ as an entre into a different reality, as a kind of window or gateway like Frank O’Hara’s walking poem—The Day Lady Died, another famous eulogy for Billie Holiday which conveys great immediacy. Look carefully at O’Hara’s verb forms.

Exercise 3:Write your own “Walk in Beauty”

****If you bring work to share with others
 please make multiple copies****


Years ago I attended a workshop in Patzcuaro, Mexico with Anne Waldman which I organized for the Great River Arts Institute called “Luminous Details”. Here are her directives prior to a walking poetics from notes I took at the time:

1) Act of Observation/Attention – Compassionate engagement with other

2) Act of Observation/Notation –Entre into sacred world as pure perception

(3) Act of Notation/Articulation –Generosity of spirit

4) Poetic Notation– a dot in the continuity of poets past and present

5) Poetic Articultation – Mingle with the world

6) YES  - Lineage to sing  “in the teeth of  impossibility”

7) Lokapala ----Local guardians, bio-region,  Place—the bigger picture.


Coming Soon - August 1, 2015 meeting will take place at the Dickinson/Evergreen homesteads in Amherst with Chard deNiord, a great scholar of Dickinson’s life and work. 












Monday, April 20, 2015

Meditation and Poetry Writing Group Meets First Saturday of Every Month

Writers interested in meditation and/or poetry are welcome to join our  ONGOING writing group in Guilford, VT each first Saturday of every month beginning on June 6 at 11:00 AM - 2:00 PM. Bring a brown bag lunch.

We begin each session with a brief meditation, then share our current work or writing by others who inspire us followed by writing exercises.

Facilitated by Jacqueline Gens. There is no charge but donations welcome.
Contact Jacqueline at jacqueline.gens@gmail.com for location and
further information or call 413-522-1125. 

 

Dates:
June 6
July 4
August 1

Jacqueline Gens MFA and MAT has worked with poets for over 30 years from Naropa’s Jack Kerouac School to the New England College MFA Program in Poery she co-founded with Chard DeNiord in 2001. For many years, she worked for the late poet Allen Ginsberg with whom she informally studied. She is a long time practitioner of Buddhism. Recently retired, she founded the Khandroling Paper Cooperative which specializes in making handmade paper from recycled sacred texts and substances. She lives in Brattleboro, VT.



Saturday, January 10, 2015

Coming Soon Poetrymind Workshops in Brattleboro,VT


EIGHT WEEK MEDITATION & POETRY COURSE

Participants will be introduced to basic mindfulness practices that “loosen” the mind from judgements and self-consciousness to access natural poetrymind in the moment. We will focus more on process than finished writing leading to fresh approaches and greater confidence in our authentic voice while still honing our craft.  Particpants will be introduced to Allen Ginsberg’s Mind Writing curriculum – the cornerstone of his teaching aesthetic as well as other contemporary methods such as projective verse, investigative poetics, and haiku hybrid forms. This will be a fun and deeply informative course with lots of visiting guests from meditation and yoga teachers to poet friends either in person or via skype. Both beginners and advanced poets and meditators welcome.

WHEN: February-March, 2015 every Sundays 11:00-2:00 PM
COST: $160 for all eight sessions plus optional material fee of $25 for source book. Limited to six-eight people. Location TBA

THURSDAY MORNING WRITING GROUP

We will meet weekly to share favorite poems by others or ourselves, talk shop,  and encourage one another on the writer’s journey in a safe and non-competitive environment.  We will begin by refining our reading aloud skills and appreciation for the sacred dimension of language as scribe, witness, provocator, and oracular presence for these times.  Taking it from there, who knows?

WHEN : Ongoing Thursdays 10-Noon  COST: Sliding scale $15 per session  or $100 for 10 sessions. LOCATION TBA


LUMINOUS DETAILS WRITING WORKSHOP 
(Spring 2015)

We will apply ourselves with ardent attention to the details of the phenomenal world  around us engaging in writing assignments and meditation as a basis to celebrate sacred world. Location TBA

COST: $125 (Friday night, Saturday & Sunday) includes a participant reading on Sunday


Writing the Heart’s Desire – Exploring Extended Metaphor as a Means to Discover One’s Own  Poetic Voice

Whether broken hearted, grieving, yearning for the impossible,  lovelorn, seeking reconciliation, recognition, locating ourselves in place or any of the myriad human circumstances, we will use our heart’s desire to access the stream of metaphors that hold our energy the most and release them into language reflecting our deepest meanings. This is not a therapy practice but rather an exploration of how to get real with our work.  We will examine stellar examples of works reflecting extended metaphors originating in the heart’s desire from Emily Dickinson, Wordsworth, Shelly, Walt Whitman. Ginsberg, Sylvia Plath, Mark Doty,  Anne Waldman, Charles Olson, and  Gary Snyder among others. 

Stay tuned for more more events and locations......


FACILITATOR:
Jacqueline Gens MFA and MAT has worked with poets for over 30 years from Naropa’s famed Jack Kerouac School to the New England College MFA Program in Poery she co-founded with Chard DeNiord in 2001. For many years, she worked for the late poet Allen Ginsberg with whom she informally studied. She is a long time practitioner of Buddhism.  Recently retired, she founded the Khandroling Paper Cooperative which specializes in making handmade paper from recycled sacred texts and substances. She lives in Brattleboro, VT.

For further information email Jacqueline at jacqueline.gens@gmail.com




*Calligraphy by Barbara Bash